Do we produce better art/music/literature when we're young and relatively hungry for experience?
Stated differently: is good art the product of some degree of suffering? Maybe this is too broad a question. There are certainly examples of young artists who produced a kind of mega-work early in their career only to fade out later on into the oblivion of mediocrity.
Another question, then: what variables are most conducive to the production of good art outside of innate skill?
I'd say, to answer that question briefly, a good artist is highly dedicated to his/her craft, almost to the exclusion of other things, but this exclusionary aspect is probably only an aspect of youth or inexperience--any good art sort of folds in other aspects of life, of brute experience; if a piece of music can show the listener boredom and glee and go back to anger, and do it in a way that condenses the experience successfully, this seems to me like good art.
There's also the question of accessibility. Some art takes a while to understand. What's the threshold of time that distinguishes value? I don't think, as the knee-jerk reaction might be, that impenetrability is equivalent to good art, but having a history or the type of art and what went into a piece conceptually will certainly aid in appreciating and understanding it. Having said that, maybe good art should operate on a number of levels of accessibility--a kind of democratic art form?
Another question is about flexibility within the genre. Good art seems to push boundaries, but in a way that still maintains semblance with the concept of the category in the first place.
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